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Dear Reader

Dear Reader #159

Dear Reader,

I’ve completed the basic outline for Tula, my novel about an actress finding fame in the 1920s, and losing her mind in the process. Sixty-eight chapters. I’ve written the prologue and chapter one. The prologue is Tula’s asylum admission form, with her doctor’s notes. 

The form and notes are based on 1920s asylum records, and a record from my family archive – a Victorian aunt spent a number of years in an asylum. My youngest son, who hopes to become a psychologist, helped with my research. He also named the doctor, Dr Brooks.

Continuing my research into Eva Marie Saint’s ancestry using public records. I’m looking to answer two questions: was Eva’s talent the result of nurture, or nature? And why am I drawn to her as an actress? Can I find the answers to these questions in her roots?

I’ve traced the Saint family back to the 1900 US Federal Census, which reveals the following about the family:

John Q Saint
Age52
Birth DateDec 1847
BirthplaceIndiana, USA
Home in 1900Marshall, Marshall, Iowa
Ward of City2nd
StreetNorth Fourth Street
House Number410
Sheet Number17
Number of Dwelling in Order of Visitation412 322
Family Number447
RaceWhite
GenderMale
Relation to Head of HouseHead
Marital StatusMarried
Spouse’s NameLydia G Saint
Marriage Year1870
Years Married30
Father’s BirthplaceIndiana, USA
Mother’s BirthplaceIndiana, USA
OccupationPost Master
Months Not Employed0
Can ReadYes
Can WriteYes
Can Speak EnglishYes
House Owned or RentedRent
Farm or House

So, Eva Marie’s grandfather was John Q Saint, a postmaster from Indiana, now living in Iowa. In 1900, John had been married to Lydia for thirty years, and they had three children living with them, including Eva’s father, John.

John Q Saint’s neighbours all had respectable professions, as insurance and real estate agents, clerks, etc. The Saints lived in a respectable neighbourhood and, it would seem, enjoyed a comfortable lifestyle.

John Q Saint’s parents were from Indiana, but before searching for them, I’d like to discover more about John Q including what the Q stood for – Quentin? Quincy? Quillan?

More next time.

***

An official in 1922 checking that swimsuits were no more than six inches above the knee. However, emboldened by the right to vote, and the crazes for dance, jazz, ragtime and blues, women were in the mood to throw away the tape measures and challenge authority in general.

Alvin ‘Shipwreck’ Kelly, 1893 – 1952, achieved fame in the 1920s and 1930s as a pole sitter. He calculated that he spent 20,613 hours sitting on flagpoles, including 210 hours in sub-freezing weather and 1,400 hours in the rain. 

Kelly married Frances Vivian Steele, an elevator operator, a match clearly made in heaven, or at least close to it.

Some social historians contend that sex was ‘invented’ in the 1960s. However, the rest of us know that it began in the 1920s when people started necking in automobiles, like the Austin 7, introduced in 1922.

Aura Lee, Farewell, Series 1, Episode 14 of The Rockford Files contains echoes of the pilot episode. Lindsay Wagner reprises her role as Sara Butler. Bill Mumy, who was Sara’s brother in the pilot, also appears, but as a different character.

Bill Mumy appears as Trask, an artist. Trask’s paintings are abstracts, to say the least. In a classic exchange, Rockford asks Trask if he requires a permit to sell his paintings (because they are so bad). Trask replies, “I told you, I paint what I feel.” Rockford: “You must not feel well.”

My honest opinion: the premise of this episode was excellent – a senator is involved in a hit-and-run accident, which leads to murder. The resolution though was a bit convoluted, explained in a brief conversation, rather than shown over several scenes. 

Instead of the mystery, the writers of this episode decided to concentrate on Rockford and Sara’s relationship, which was fine because James Garner and Lindsay Wagner sparkled in their scenes.

Between 1700 and 1800 the population of London increased from 600,000 to over one million. The city established itself as the largest in the world, with commercial and military interests providing the bedrock.

London derived its energy from the free market, which basically meant ‘anything goes’. Services, goods and people – yes, people – could be bought without legislative restraint. Shipowners exploited the colonies while, at the other end of the scale, pickpockets sold gold watches. In eighteenth century London, these people were much of the same: steal from someone, then make a handsome profit.

Some people were offended by the scale of the greed. They compared London to a modern Babylon, devoid of morals and probity. However, writer James Boswell stated that his blood ‘thrilled with pleasure’ and that he regarded London as a city of happiness.

Maybe Boswell didn’t notice that, at its heart, London was still a medieval city without the capacity to deal with a huge rise in the population. In the eighteenth century,  London became notorious for its high volume of prostitutes, it’s large numbers of feral children, and its disgruntled mobs.

Wise heads reasoned that such chaos could not continue, that the quest for ever-larger profits was unsustainable, that the city was in danger of spiralling out of control. The wise heads were proved right because by the fourth quarter of the century, revolution was in the air.

🖼 London from the east, 1751.

John Charles was born on 27 December 1931. He is regarded by many as Wales’ finest-ever footballer. Indeed, many rate him as Britain’s greatest all-round footballer.

During his glory years at Leeds United and Juventus, John excelled as a centre-forward and as a centre-back. He moved to Leeds United, in 1949, from his hometown club, Swansea Town. After a break for National Service, John was the Second Division’s top goalscorer in 1954. 

As club captain in 1955, John led Leeds United to second place and promotion. The following season, Leeds finished eighth in the First Division while John was the division’s top goalscorer.

John’s qualities included strength, pace, technique and vision. Furthermore, he was a great header of a football and possessed a keen eye for goal.

John’s qualities attracted the attentions of Italian giants, Juventus. In his five seasons with Juventus, John won the Scudetto three times and the Coppa Italia twice. 

In 1962, John returned to Leeds; moves to Roma and Cardiff City followed. He was never cautioned nor sent off during his entire career. Indeed, John’s respect for his opponents earned him the nickname Il Gigante Buono – The Gentle Giant.

John represented Wales over a period of fifteen years, from 1950 to 1965. In 1958, he was a member of the Wales World Cup squad.  During that tournament, John scored in the 1 – 1 draw with Hungary. 

Injury ruled John out of the quarter-final against Brazil. Wales lost 1 – 0. Who knows what would have happened if John had been fit to participate in that match.

Next week, more news about my new project, Tula, plus background information.

As ever, thank you for your interest and support.

Hannah xxx

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Categories
Psychology Sam Smith Mystery Series

You Say Psychiatrist, I Say Psychologist…

My Sam Smith Mystery Series features psychologist Dr Alan Storey. Occasionally, reviewers refer to Dr Storey as a psychiatrist, which invites the question: what is the difference between a psychologist and a psychiatrist? 

Psychology is the scientific study of the mind and behaviour of humans and animals. As a social science the aims of psychology are to understand individuals and groups through a set of general principles and through research into specific cases.

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The roots of psychology can be traced back to the ancient civilisations of China, Egypt, Greece, India and Persia. Aristotle and Plato wrote about the mind while in the 4th century BC, Hippocrates identified that emotional disorders had a physical rather than a supernatural cause. The teachings of Confucius and Buddhism added to our knowledge.

During the Age of Enlightenment, psychology became a ‘hot’ topic. Many notable thinkers, including Rene Descartes, John Locke, Immanuel Kant and John Stuart Mill expressed opinions on the subject. While in the nineteenth century, Charles Darwin’s Theory of Revolution invited more radical thought. 

As the tree of psychology grew, inevitably, it developed numerous branches, or schools. These included: Psychodynamic, Behaviourism, Cognitive, Humanistic, Bio-Psychology and Social-Cultural. Dr Alan Storey is a Humanistic Psychologist, someone who believes in an holistic approach to human existence with the emphasis on creativity, free will and the positivity of human potential. Humanists also believe that we need to fulfill an hierarchy of needs, outlined in the graphic below, before we can achieve self-actualisation, the process of realising and expressing our capabilities and creativity.

DEC7E734-4C7E-4E43-B5DF-AB30C2D20FC9In contrast, psychiatry is a medical discipline devoted to the diagnosis, prevention and treatment of mental disorders. These disorders include various problems related to behaviour, cognition, mood and perceptions.

The earliest known texts on mental health stem from Ancient India. Indeed, psychiatric hospitals were established in India in the 3rd century BC. Moving through the centuries, specialist hospitals such as the Bethlem Royal Hospital were established in medieval London.

By the turn of the eighteenth century, asylums were rare. However, by the beginning of the twentieth century they had become familiar landmarks on the landscape. Psychiatrists believed that asylums were the answer. Unfortunately, these asylums created problems such as institutionalism, which led, in the late twentieth century, to more enlightened thinking and a wider range of treatment options for the patient.

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So, to answer our initial question, what is the difference between a psychologist and a psychiatrist? Psychologists focus extensively on psychotherapy and treating emotional and mental suffering in patients with behavioral intervention. Whereas, through their medical training, psychiatrists can prescribe medications and therefore they spend some of their time with patients on medication management as a course of treatment.

For detailed advice about psychological and psychiatric issues please visit your medical practitioner or the BetterHelp website.

Categories
Biography Movies Psychology

Gene Tierney

Gene Tierney

Through her looks and life story, Gene Tierney has provided the inspiration for two of my characters – Ann Morgan in my 1944-5 Ann Morgan Mystery Series and Dana Devlin in my forthcoming Sam Smith Mystery Series novel, The Devil and Ms Devlin. Therefore, in appreciation of Gene Tierney’s life and career, I decided to write this article.

Studio_publicity_Gene_Tierney

Born on the 19th November 1920 in Brooklyn, New York, to a wealthy insurance broker and a socialite mother, Gene Tierney enjoyed a privileged upbringing, an upbringing that included exclusive schools, extensive travel and glamorous parties. Aged seventeen, she met Anatole Litvak, an influential Hollywood director, and he invited the debutante to make a screen test for Warner Brothers. Impressed by her looks and potential, the studio offered her a contract. However, her parents were not pleased.

Obeying her parents, Gene Tierney returned to Connecticut where she endured a mind-numbing season of debutante parties. At the close of the season, she informed her parents of her desire to carve out a career as an actress. On this occasion, her parents offered their support. Her father, Howard, secured mentoring and schooling, and he formed a company, to assist Gene in her ambitions.

Gene Tierney’s early theatre performances attracted the attention of Warner Brothers who, once again, offered her a contract. However, she turned them down; instead, she signed a six month deal with Columbia.

With Gene Tierney’s star on the rise, eccentric movie mogul Howard Hughes entered the picture. He was besotted with her beauty. However, as she later pointed out, “Cars, furs and gems were not my weakness.” And she rebuffed Hughes.

Despite the rebuff, Howard Hughes remained friends with Gene Tierney, one of many influential and powerful people she encountered during her life. At this stage, she was a contract actress with a major studio, reduced to roles dependant on her looks, rather than her acting ability. Then she caught the eye of Darryl Zanuck, of Twentieth Century Fox. Later, Zanuck stated that Gene Tierney was, “the most beautiful woman in movie history.”

In 1940, Gene Tierney played Eleanor Stone in The Return of Frank James. The reviews for the movie, and Gene’s performance, were unkind. Indeed, Gene endured a number of unfavourable reviews throughout her career, and while some of those reviews were merited, you have to wonder if jealousy, over her looks and privileged upbringing, was also at play.

Also in 1940, Gene Tierney’s private life changed direction. She met fashion designer Oleg Cassini and within months the couple were married. Once again, her parents were not pleased and a rift developed within the family. Over time, that rift widened until Gene was cut off financially, and from Connecticut high society.

Stressed, and enduring a string of dubious movies and poor reviews, Gene fell ill. Nevertheless, she remained in Hollywood and continued to work, landing the lead role in the 1943 movie, Heaven Can Wait.

In June 1943, a pregnant Gene Tierney contracted rubella. On the 14th October 1943, she went into premature labour and soon after her daughter, Daria, was born. Tragically, the rubella affected Daria’s development and she suffered from a number of impediments.

With professional help, Gene Tierney and Oleg Cassini raised Daria at their Hollywood home. While adjusting to her maternal responsibilities, Gene landed the title role in Laura, in 1944, arguably the highpoint of her acting career. Although the film received mixed reviews – a consistent thread throughout Gene’s career – it did well at the box office, netting over a million dollars, and now is regarded as a cinema classic. As Vincent Price, one of her co-stars in Laura, said, “No one but Gene Tierney could have played Laura. There was no other actress around with her particular combination of beauty, breeding and mystery.”

The success of Laura should have brought Gene Tierney great happiness. However, Oleg Cassini could not cope with his daughter’s disability and, in 1946, he walked out of the family home.

Before that, in 1945, Gene Tierney starred in Leave Her to Heaven, and received an Oscar nomination for her performance. In 1946, she co-starred with Vincent Price in Dragonwyck and during the filming she met J.F. Kennedy. A relationship developed, but was not pursued because of J.F.K.’s political ambitions.

In 1947, Gene Tierney made The Ghost and Mrs Muir. However, unhappy with her personal life, she decided to leave Hollywood and returned to Connecticut. In 1948, while constantly crying tears for Daria, Gene went through a whirlwind of emotions with Oleg Cassini – they divorced, Gene became pregnant, she gave birth to a second daughter, Christina, on the 19th November 1948 her 28th birthday, and later remarried Cassini.

Unable to cope with Daria’s health problems, Gene bowed to Oleg’s insistence and placed her daughter in an institution. At this point, Gene’s health faltered and she slipped into deep depression. Mood swings ensued. A lack of understanding from the medical profession and the stigma from an uncaring society added to Gene’s problems. She threw herself into her work and later wrote, “As long as I was playing someone else, everything was fine. It was when I had to be myself that the problems began.” She added, with great insight, “Depression is only a temporary thing. I’ve often thought that if people who committed suicide could wake up the next morning they’d ask themselves, ‘Now why in the world did I do that?’”

In the early 1950s, Gene divorced Oleg Cassini for a second time. Her career, personal life and health were in crisis.

In 1955, while working with Humphrey Bogart on The Left Hand of God, Bogart noted that Gene had problems. He alerted the executives at Fox studios, but they dismissed his concerns in flippant fashion. As Gene Tierney later wrote, “It was the fashion at the time, still is, to feel that all actors are neurotic, or they would not be actors.”

On set, Gene continued to work to a high standard, while at home she struggled to cope with the basic tasks of life. In despair, Gene entered a sanatorium. Within the sanatorium, she received electroconvulsive-therapy, a degrading and barbaric practice, now considered inappropriate by many mental health professionals.

In the spring of 1957, Gene Tierney contemplated suicide. In New York, she walked on to the ledge of her mother’s 14th floor high-rise apartment. She later wrote, “I felt serene…totally without fear.” However, she didn’t jump because vanity took hold. She confessed, “I thought of what I’d look like when I hit the ground – like a scrambled egg. That didn’t appeal to me.”

More treatment followed, but thankfully treatment of a saner, helpful variety. Gene entered the Menninger Clinic in Kansas. There, in an atmosphere of peace and quiet, she was encouraged to talk. With support, she developed skills and coping strategies, until she reached the stage where she felt more in control of her illness. Today, even though drugs and other treatments are available, talking often remains the best cure.

While on holiday in 1958, Gene met W. Howard Lee, a Texas oilman. A year later, she resumed her acting career in Holiday for Lovers, but the strain proved too much, and she dropped the part. However, on the 11th July 1960, she did marry W. Howard Lee and stated, “The only time I was really happy was in my childhood – and now.”

After continued treatment at the Menninger Clinic, small acting roles followed, along with greater insight into Gene’s problems. She later wrote, “If you break an arm or a leg it takes months for it to really heal, and years for it to be the same again. So you can imagine the problems with a broken mind.” And, “More than anything, I learned that the mind is the most beautiful part of the body and I am grateful to have mine back.”

In 1962, Gene suffered a miscarriage. Bouts of depression and periods of mania followed, but when they faded she was able to reflect on them with humour, often joking with her new husband.

Although not reaching the heights of Laura, Gene appeared in movies and television series, until 1969 when she quit Hollywood and television for good.

W. Howard Lee died in February 1981, and from that point on, after years in the spotlight, Gene Tierney decided to live a life of seclusion.

Gene died on the 6th November 1991, of emphysema, a condition brought on through chain-smoking; at the start of her acting career, and showing no regard for the individual, the studio suggested that Gene should take up smoking, to make her voice huskier.

Gene_Tierney_in_Laura_trailer_kindlephoto-163073908

Gene Tierney wrote, “Wealth, beauty and fame are transient. When those are gone, little is left except the need to be useful.” And she served that statement well by writing her autobiography, Self-Portrait, in 1979. Through her frank and honest account of her life, Gene Tierney helped to break down the stigma of mental illness, and along with her numerous movies, that stands as her greatest legacy.

Further reading: Self-Portrait – Gene Tierney with Mickey Herskowitz.

https://www.amazon.com/Self-Portrait-Gene-Tierney/dp/0883261529