The professional hitman hired by drug runners theory is one of the weakest in the Taylor case. I include it here because it features in newspaper reports, occasionally. Here’s a piece I wrote about this theory.
I’ve searched a newspaper database containing 883,643,177 articles using the keywords “William Desmond Taylor” and “drugs”, covering the period 1900 – 1949. My search returned 14 items. Most of those items were false leads with the word “drug” on the same page as “Taylor”. Some of the articles suggested that Taylor was a drug pusher. Two suggested that he was murdered by a drug pusher. None of the articles suggested that Taylor was an anti-drug campaigner. If he was campaigning against drugs in Hollywood, his campaign did not capture the media’s attention.
Some reports suggest that Mabel Normand was a drug addict. To date, I have not read anything to confirm that. If Mabel was an addict, as a friend it would be understandable if Taylor tried to help her. In trying to help her, he might have talked with studio bosses, who also had good reason to banish drugs from their sets.
The newspapers made no mention of drugs in association with William Desmond Taylor before his murder. The drug angle only featured in some newspapers after his death. Before his death, there was no indication in the media that Taylor was leading an anti-drug campaign.
Some moviemakers were vociferous in their stance and making anti-drug movies in the early 1920s. Director Graham Cutts made Cocaine. He was not murdered. Director Irving Cummings made The Drug Traffic. He was not murdered. Director Norton S Parker made The Pace That Kills. He was not murdered. Numerous people in Hollywood were spreading the anti-drug message in the 1920s and 1930s. Gangsters did not murder them.
As I stated earlier, if Mabel Normand was a drug addict, it would be understandable if William Desmond Taylor tried to help her. Maybe she informed him of her drug suppler and he informed the studio bosses, who in turn informed the police. Corruption was rife. Many officials in the police were on the take. They already knew who was supplying the Hollywood community with drugs, and were prepared to turn a blind eye.
The problem remains: Mabel, or another actor, is still an addict. Even if movie executives banned drug pushers from the studio lot, the addict will get his drugs from elsewhere. And the regular round of parties so beloved of Old Hollywood would offer the drug pushers an opportunity to create new addicts; they would not need access to the studio lot.
With the police in his pocket, effectively waving the drugs through, only an idiot would murder a high profile person, stir up a hornets’ nest, and attract unwanted attention.
If the Eight O’Clock Man murdered William Desmond Taylor, I don’t think he was a professional hitman hired by gangsters, so I’m inclined to place him low on my list of suspects. I would place a second-rate hitman hired by gangsters slightly higher, but still low down on my list.
As Kevin Brownlow and John Kobal wrote in their book, Hollywood: The Pioneers – “A theory was put forward that Taylor had been taking on the drug racket single-handed, in the hope of curing his friend, comedienne Mabel Normand, of addiction, but this proved to be desperate publicity in the face of unpalatable evidence.”
Hannah Howe 